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Writing Vivid Dialogue: Professional Techniques for Fiction Authors (Writer's Craft Book 16), by Rayne Hall
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Do you want to write fast-paced, exciting, sizzling dialogue?
This book reveals professional dialogue technique to characterise the speaker, carry the plot forward and entertain your readers.
This is not a beginner's guide. I assume that you have mastered the basics of fiction writing, and don't need an explanation of what dialogue is and why it matters for your story. But your dialogue isn't yet as strong as your story deserves. Perhaps it drags, perhaps the characters all sound the same, and perhaps it lacks tension, wit or sparkle.
I'll offer you a toolbox filled with techniques. These are not 'rules' every writer must follow, but tricks you can try. Pick, mix and match them to suit your characters and your story.
Some of these tools work for all kinds of dialogue, others solve specific problems—how to create male and female voices, how to present foreign languages and accents, how to present historical dialogue and flirtatious banter, how to write dialogue for alpha characters, for children and for liars.
I suggest you read once through the whole book to discover the tools in this kit, then return to the specific chapters which address the challenges of your current project.
You can apply the techniques to write new dialogue scenes, or to revise sections you've already written. When revising, you may want to compare the 'before' and 'after' versions. You'll be amazed how your dialogue scenes come to life.
I won't weigh this book down with literary theory. Sometimes I'll use examples—mostly from my own books, for copyright reasons—but in essence, this is about your writing, your stories, your dialogue.
If you like you can use this book as an advanced dialogue writing course, working your way through each chapter, doing the exercises in the chapter and the assignments at the end of each chapter. Or you can simply read the whole book to get a feel for what's in it, then choose the techniques you want to study and apply for the chapter you want to write or revise.
Download the free sample to try out how this book can help make your dialogue sparkle.
(British English grammar and spelling.)
- Sales Rank: #66497 in eBooks
- Published on: 2016-01-04
- Released on: 2016-01-04
- Format: Kindle eBook
Most helpful customer reviews
10 of 11 people found the following review helpful.
Dialogue is important. This book helps you get it right.
By Graham Downs
Note: I use the Goodreads star rating, so my four-stars mean that I really liked this book, but it wasn't flawless.
I was asked by the author to beta-read an earlier edition of this book, and then I re-read the final published version.
I've read a few of Rayne Hall's Writer's Craft books before, and I've always been suitably impressed. This one is no different. It's filled with practical advice, written in plain English, and uses lots of examples.
This book is a veritable gold mine of information, and in fact, I've already implemented a few of these tips in some stories I've written since reading it. I particularly liked the idea that dialogue should SOUND real, but the way people talk in real-life really isn't suitable for fiction. So, it must FEEL real, but it must not BE real.
Another thing that really stuck with me was the section on how to write people of different dialects. Lots of authors go overboard, writing each word of dialogue exactly as it sounds, which gets really frustrating to a reader who isn't a native speaker of that dialect. Other authors don't change the way those characters speak at all, which makes the characters seem bland and uninteresting. In this book, Rayne Hall gives a very nice compromise.
In truth, there weren't many chapters that I didn't find useful, from the chapter on body language, to the differences between the ways men and women speak, to advice on how to write flirtatious encounters. The list goes on and on.
This is a valuable resource for any author whose stories contain conversations between characters - and I can't think of any that don't. Dialogue is an important part of any story; you should really get it right.
5 of 5 people found the following review helpful.
Another Must Have Craft Book For Writer's Resources
By Melissa Sugar-Gold
Another hit by Rayne Hall. I have all of this author's craft books and I will continue to buy them as long as she writes them. They are quick reads, but they never fail to to teach me something new. I keep them in a special Kindle folder designated as my "Go To Writing Craft Resources", for when I need help writing my novel. Actually it's called my Fiction Writer's Toolbox. I keep only a limited number of books in that folder including Hall's entire series, along with Angela Ackerman and Becca Puglisi's Emotional Thesaurus Series and a few others. I love the way Hall writes her series and Writing Vivid Dialogue is no exception. I learn best by example and she uses a plethora of examples to demonstrate how we can improve our dialogue. As advertised, this book is not for beginners and the author assumes the reader already mastered the basics of writing dialogue. This book is designed to take your dialogue to the next level and believe me, if you follow Hall's tips and do the exercises it will. She teaches you how to write fast paced, edgy, mysterious, dialogue that compels readers to turn the page, eager to read on and find out what will happen next.
Writing Vivid Dialogue will help you write distinctive character dialogue, add tension to your dialogue and improve your overall story. I highly recommend this book to all writers. I further recommend that you actually perform the writing exercises in the book. This book can help you with your first draft or with a revised draft. I'm doing the exercises now as I work on revisions and comparing my dialogue to the before scenes and it is amazing how much my "after" dialogue scenes sizzle. I truly hear the difference and can't thank Rayne Hall enough. I was familiar with some of the techniques Hall uses, but the way she demonstrated them made it come alive for me. I already knew that answering a question with a question or avoiding the answer created tension, but having someone actually walk you through it with examples makes all the difference in the world. This is only two of a dozen or so methods the author uses for creating tension. I won't go into all of them, but she taught me quite a few new tricks and I am most grateful.
Melissa Sugar-Gold
http://melissasugarwrites.com
3 of 3 people found the following review helpful.
First rate guide for novices and old hands
By Stephen Mcdaniel
If you've won a Pulitzer, the Man Booker or sold a million books, you don't need this guide. For the rest of us, it's an excellent reference.
Hall addresses quickly and clearly all those dialogue craft items we tend to overlook or forget in the heat of creation. She covers some standard issues like use of Dialogue Tags and Dialogue Punctuation, but she also gets into the tricks that can make dialogue sing. Use of Questions instead of Statements, defining each character's agenda and translating that into the way they speak, how liars can be outed through speech and body language. She covers a wide range of techniques, as well as addressing Types of Fiction (Historical, Sci-Fi, etc.) and associated dialogue, jargon, foreign words, and other special situations.
He writing is clear, absent a lot of theory, and easily accessible as a checklist if you're revising. One of the most useful How-To books on writing craft I've seen recently.
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