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The essays in Writing between the Lines explore the lives of twelve of Canada’s most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada.
Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation.
Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.
- Published on: 2016-01-26
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
- Binding: Paperback
- 318 pages
Review
“This well-edited volume reveals the hidden humanity that enables cross-cultural communication. In the detail of lives, in the variety of backgrounds and goals, these biographies upset countless facile generalizations about translation and translators. They show why translation is so important to Canada, and why Canada is now important for translation.” (Anthony Pym, Universitat Rovira i Virgili, Tarragona, Spain. Author of The Moving Text: Localization, Translation, and Distribution (2004).)
“This book is a tribute to those who smuggle culture across the anglophone and francophone divide into Canada—the literary translators.” (Antoine Sirois, professor emeritus, Université de Sherbrooke. Author of Mythes et symboles dans la littérature québécoise (1992).)
About the Author
Critic, translator, and poet, Agnes Whitfield has published extensively in and on literary translation and Quebec literature. President of the Canadian Association for Translation Studies from 1995 to 1999, Seagram Visiting Chair at the McGill Institute for the Study of Canada from 2003 to 2004, she is former director of and currently teaches at the School of Translation at York University in Toronto.
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0 of 1 people found the following review helpful.
Not Completely Between the Lines
By B. Epstein
A translation should preserve the source culture and linguistic style; a translation should be able to stand on its own as a work in the target language; a translator should be accurate and faithful; a translator should have freedom - the twelve translators profiled in Writing Between the Lines have a wide variety of opinions about their roles and the requirements of their jobs. It is interesting to read the in-depth biographies of these translators and to learn how they came to translation, how they viewed their work, and how their other careers - as professors, writers (poets, novelists, academics, journalists, and one pornographer), a lawyer, one mailman/mayor, and so forth - influenced their callings as translators. The overarching goal of this book, however, is not simply to analyze individual translators and their feelings about translation, but to, through these portraits, describe the modern history of translation in Canada. Unfortunately, it takes a limited approach to this. Writing Between the Lines repeatedly emphasizes the importance of communication and literary exchange, including translation, between Canada's anglophone and francophone communities, and the book rightfully claims that such exchange is only to the benefit of the bilingual country. And yet, the book only features anglophone translators; that is, each of the twelve men and women portrayed translates from French to English. Perhaps a companion volume on francophone translators is planned, or maybe for whatever reason the editor believed it best to only look at one side of the language divide at this time. But to truly represent the area "between the lines," francophone translators should be included.
In summary, Writing Between the Lines is a good book to read for those who are interested in learning about individual translators and their experiences, as well as about one-half of the modern history of translation in Canada. As the introduction states, this is the "first comprehensive, inside view of the practice of anglophone literary translation in Canada," and it is a useful and noteworthy work on those grounds. For a fuller picture, though, a "comprehensive, inside view" of francophone translation in Canada is also needed.
BJ Epstein, translator
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